Daylight Pyjama Party at Union Chapel, May 15, 2010

The sun smiled through powder puff clouds that morning in London, despite forecasts of grey and gloom. The stained glass windows of the Union Chapel captured the sun’s rays and tinted them pink, gold and blue before casting them to the floor. When I walked into the scene my gasp reverberated in soft echoes of acoustic perfection. Nothing could have prepared me for this.
As each performer arrived at the church, each head tilted upward toward the light. Musicians from The Real Tuesday Weld and The Leisure Society, who had each played here before, spoke with a reverent hush as they set up their equipment for soundcheck. “I’ve never seen it during the day,” they commented. “It looks quite different.” “Quite lovely.” “It’s something, isn’t it?”
The Daylight Music series at the chapel is a relatively new feature, running since 2009 care of Arctic Circle founder, Ben Eshmade. When Rich Thane of ILL FIT and The Line of Best Fit approached Ben with the our idea of a CD release party for “Sing Me to Sleep,” the Daylight Pyjama Party was born.
People filed into queue outside while we organized the merch table. In lieu of tickets, Rich took donations totaling £428.00 for the NSPCC. Young parents with toddlers and infants, teens, adults and even seniors shuffled into the chapel at 11:00am, then lined up again immediately for coffee, tea and sausage rolls. Ben nodded at the colorful collection of baby strollers crowding the food and merch area. “I’ve never seen quite this many prams here before.”
The Real Tuesday Weld opened after everyone settled in their pews, starting with original material. Singer Stephen Coates’ use of random flea-market-style props during their performance added a theatrical note of whimsy to their “antique beat” set. Their lullaby, the quirky “Little Boxes,” was one of the more playful numbers in a performance that concluded with a quaint adaptation of “Singing in the Rain.” Stephen exited the stage holding an open umbrella and catching imaginary raindrops while the band played their final notes.
The Leisure Society followed after a brief break for more coffee, tea and biscuits. The group opened with “Inchworm,” their adaptation of the song first performed by Danny Kaye in the 1952 film, Hans Christian Anderson. This song has been one of my favorite adaptations on “Sing Me to Sleep” from the very start—it starts sleepy, breaks into a horn and ukele pillow fight in the middle, then falls like a tuckered-out child’s final head nod into dreamland. This got the kids in the first few pews dancing, and even inspired a mini groupie to toddle up the stage stairs and join the band for a split second smile. The twice-Ivor-award-nominated ensemble performed beautifully for the remainder of their set, and won over a score of new fans, including TRTW’s Stephen Coates.
The end of the show came quickly and all the children in the chapel came looking for their free sheep and cow buttons while we sold every last CD, consoling sad faces who wished they hadn’t hesitated earlier. Grateful parents and music fans beamed with grins, offering adjectives such as “lovely,” “wonderful,” “beautiful,” and “a great idea.” It was for some parents just the first stop in a fully-planned afternoon outing of art and music with their kiddos. For me, the very thought of that was the most peaceful lullaby of all.
Photos:
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In line for tea and biscuits
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Richard Thane, Kate Garchinsky, The Leisure Society
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Kate Garchinsky and Scott McBride
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The Real Tuesday Weld performs
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Union Chapel exterior
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The Leisure Society
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Melody and Harmony
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Expressing appreciation
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The Real Tuesday Weld performs
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The Leisure Society
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Nick Hemming of The Leisure Society
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The full ensemble of The Leisure Society
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Little Children
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Kate Garchinsky and Stephen Coates
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Stephen Coats, his daughter and teddy
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A captive audience
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Mosh pit
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Union Chapel columns in the daylight
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Stephen Coates, singing in the rain
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Full house
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Christian Hardy on keys