In some occasions, you will have to write an essay in the extremely short amount of time on the exam in college or high school. Also, you may be a little bit of a procrastinator, and find yourself in a situation when the paper is due tomorrow morning, and you have not even chosen the topic yet. Even though a last-minute essay cannot look as great as a work prepared successively and carefully within the whole time given, you still have a chance to submit a decent paper. The working process will require your full attention and a lot of effort, even if you are assigned a simple essay. However, if you learn the next few tips, the essay writing will seem significantly easier and feasible even when you are short on time.

Firstly, clean up your working space to get started. Make sure you have everything you need on the table, take a pen, a few sticky notes, your laptop, and read through the assignment requirements. In case no prompt is given, search for good essay topics, and pick a few uncommon and interesting ones you will be able to write about. Making a final choice, think which topic is the most relevant to your current studies and will not take too much to research.

Afterwards, look for the most trustworthy sources or the ones you are certainly allowed to use. If you are not sure, access the online library or any free services where you can look for the books and articles for your essay. Use sticky notes to write down the information and put them in front of you to see how much data has been gathered and if you need to continue researching. Reread these notes from time to time and cross out the info you do not find relevant anymore.

When you have the data you need to produce a quality work, it is crucial to think about the structure of the future paper. If you are not sure how to write an essay outline properly, check what your essay type is first. Each type is organized differently, so you need to look up the structure every time you are given an essay homework. You can also search for an example of the essay on your topic, and adhere to its outline. No matter what kind of essay you are going to write, it is important to start with a thesis statement. It should declare what problem you will review in the paper, and which facts or arguments you will use to do it professionally. As these arguments will be discussed in the main part of the essay, outline the body paragraphs and put down a few sentences with the rough description of each paragraph. Think of the way you will engage the reader in the introduction, and which thought will be conclusive for the paper. When the direction of the work is clear from the outline, use it to draft the first version of the essay.

If you are not used to model essay writing, do not worry - your draft should not necessarily look like a masterpiece. It is only the depiction of your thoughts, and as you will have them written down, it will be easier to create a good essay. There is no best way to write an essay, so trust the working methods you usually use. You may like taking short breaks once in a few minutes, or write everything in one sit - just make sure to keep the focus on writing and avoid the urge to call a friend or watch something online. Thus, you will finish the paper faster, and will not feel guilty for engaging in other activities afterwards.

Do not forget to go through the essay a few times after the completion. Everyone makes typos and mistakes by accident, but it is about you to find and fix them before your teacher does. If you need help with an essay editing, try asking a friend or a family member to read and analyze your work. Also, you can order editing services in case your paper needs to be perfectly polished so that you can submit an ideal essay and get an excellent grade.

As these steps are simple to follow, you will not have any problems coping with an essay on time. Try the whole procedure at least once, and you will not have to use any other tips preparing an essay paper during your studies!

Formulation of the problem. 1630-e years – a time of creative maturity of Rembrandt. As a true artist, he is a tireless search for new stories, new expressive means. In ten years, it has created more than 270 paintings. In many paintings of Rembrandt scenes, evangelical legends like scenes from the life of simple people c interpreted their earthly experiences. In addition, the characters of writing often dressed in civilian contemporary Rembrandt Dutch. This makes the work of great masters of authenticity, liveliness. Remarkable in this regard is the Hermitage paintings “fall from the cross”, to 1634 refers.


This story has also been used by many artists such as Rubens (“Trash of the Cross”, around 1611-1619, the cathedral in Antwerp). Rubens is characteristic of the spirit of theater joyous excitement, idealization. The characters, especially women – in fine clothes, their imaginative poses, impassive mimicry. The body of Christ, with well-developed muscles, still full of vitality. The biblical legend of Rembrandt is quite different. The aim is primarily to reveal the depth of human experience. Especially expressing group of women lost her mind at the sight of a dead son of Our Lady, the artist portrayed in the simple human attire to support. Christ’s body seems exhausted, emaciated. On the face of the character – an expression of deep tragedy. How many would not have written about Rembrandt, each epoch creates the problematic area of culture that finds place and Rembrandt. The problem is thus the work of Rembrandt’s “fall from the cross”, based on the previous experiences of the study of this picture.

In the picture, there is a plaque recitation and purely baroque loftiness. Rembrandt uses a variety of tools that allow him to visualize the image. He chooses and large format to explore the baroque style, improves the decorative lace in its picturesque way. Rembrandt made as an artist, boldly breaks c accepts the ideals of beauty, like Italian and Dutch, to recognize his only mentor of vital truth. The face and naked body of Christ is extremely ugly and individual, but the depth and charm of the interior make the image of Christ soulfully beautifully treated. Compared with the Italian Renaissance master, Rembrandt pushed much the limits of the aesthetic ideal to see the life and the usual fine individual. Meaning of “waste of the cross” is not limited to the victory gained in this work, Rembrandt realism. Especially because this victory was not completely far from it.

This work is of great interest, also because it reflects the process of the formation of personality assistants, a process in which Rembrandt c baroque relationship is not the last place. The thirties was a period in which crucible of the creative consciousness Rembrandt around him melted many art experiences and impressions of the reality. After years of silence Leyden, she could not overpower it in Amsterdam, the largest port of this time the center of the world trade in general and in particular antiquity. The master took these impressions proves not only by his works, but also his collection for the wealth and the diversity striking.

The spiritual life of the XVII century an important place occupied by the notion, influenced by the human emotions. The philosophers have written treatises on them; artists have portrayed them in his pictures; they are the subject of controversy and discussion. Show Christ Rembrandt is adhering to all of the same set of interests. B general sense of their task belongs to the era, but the decision, it bears the stamp of the personality of the author. In comparison, distracted and smoothed as it is played in the theater of affects that can be seen in the works of Lastman and many of his contemporaries, Rembrandt’s feelings influence the naturalness and vitality. The artist is not out of the conventional scheme, a life. B the following years, the image problem of emotion in the art of the Rembrandt is of central importance. His portrayal of the spiritual world of man and the aesthetic possibilities of painting enriched with astonishing speed. The legacy of the painter Rembrandt consists mainly of portraits and paintings of biblical, evangelical, mythological themes; these pictures and the XVII century called “stories”. Quantitatively dominated by portraits, but the leading role played by the master himself, of course, the “story”. In general era culture of his passion for the biblical theme is self-explanatory; they are only required in the context of Dutch art.